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SUMMARY:CHRIS COHEN + LARGE PLANTS - Concert
DESCRIPTION:Upset The Rhythm presents… \nCHRIS COHEN\nLARGE PLANTS\nTuesday 19 November\n100 Club\, 100 Oxford St\, Oxford Street\, W1D 1LL\n7.30pm | £14 | Tickets: https://link.dice.fm/ob8ce6dd7dbc \nCHRIS COHEN was always a quiet kid. This introversion was one reason he began playing music as a toddler—to communicate without speaking to identify with others without directly representing words. It has worked\, too\, with Cohen’s terrific stint in the mighty Deerhoof and his captivating art-rock act The Curtains\, preceding production and session work for the likes of Weyes Blood\, Kurt Vile\, Le Ren\, and Marina Allen. Somewhere along that long way\, Cohen started writing lyrics. He found that\, though it didn’t come naturally\, the process offered a new sense of self-discovery and reckoning\, a way to see himself and the world from unexpected angles. His three twilit albums of casually complicated pop during the last decade radiated these epiphanies: handling family strife\, navigating advancing age\, and understanding social woes. \nBut Cohen has never had as much to sing so directly as he does on ‘Paint a Room’\, his first album in five years and his debut for Hardly Art. Suppose Cohen’s meanings have previously lurked inside the tessellated musical layers he built alone. In that case\, they are newly clear and resonant here\, animated and underscored for the first time by a band playing in real-time. There is the endless miasma of state violence on the subversively melodious opener “Damage\,” the existential exhaustion of modernity on the horn-traced jangle “Laughing”. With ‘Paint a Room’\, Cohen’s music feels like a warm spring breeze\, easy to love and gentle to feel. But it often carries something heavy\, as if it is blowing in from some unseen storm cloud. \nhttps://chriscohen.bandcamp.com \nLARGE PLANTS is the hauntological fuzz-rock project of Jack Sharp\, former singer-guitarist from psych-folk luminaries Wolf People. In 2022 the band dropped an acid-rock cover of Madonna’s ‘La Isla Bonita’ on the Ghost Box label\, followed swiftly by their debut LP ‘The Carrier’\, described by Shindig as “A succinct distillation of folk-rock magnificence”. Now a formidable live act\, having toured with Mudhoney and Unknown Mortal Orchestra. Large Plants are currently working on their third album.\nhttps://largeplantsband.bandcamp.com/album/the-death-of-pliny-digital-single \n 
URL:https://eventsforlondon.co.uk/event/chris-cohen-large-plants-concert/
LOCATION:The 100 Club\, 100 Oxford St\, Oxford Street\, W1D 1LL\, London\, W1D 1LL
CATEGORIES:Arts,Cheap Tickets,Concerts,Entertainment,Events in London,Gigs,Live Music,Music
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DTSTART;TZID=Europe/London:20231105T193000
DTEND;TZID=Europe/London:20231105T230000
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SUMMARY:WOLF EYES + YEAH YOU + RUBBER
DESCRIPTION:Upset The Rhythm presents… \n\n\n\nWOLF EYESYEAH YOURUBBERSunday 5 November100 Club\, 100 Oxford St\, Oxford Street\, W1D 1LL7.30pm | £14 | Tickets: https://link.dice.fm/b59d2922fb18 \n\n\n\nWOLF EYES have spent 25 years fusing together DIY electronics with the avant-garde sensibilities of Fluxus and the granite of dreary Midwestern life. Their new album ‘Dreams In Splattered Lines’ is a surreal dreamscape of disorienting sound collages\, where hit songs are transformed into terrariums of sonic flora and decimated fauna. As if pulled from a fever dream\, the surrealists of the 1960s converge with alien electronic blues musicians in an underworld of mystery. The air is thick with car wash radio white noise\, crackling and fizzing like a toxic elixir\, spoken word poetry transmissions as absurd and cryptic phrases. Each corroded aural environment is a microcosm of chaos\, honed to razor-sharp precision. Swept away in a whirlwind of thirteen perplexing narratives\, each one an unpredictable journey through subterranean worlds\, a sonic trip of reality folded into itself. \n\n\n\nWolf Eyes have released three albums in the first half of this year. ‘Dreams In Splattered Lines’ has been preceded by the January compilation of collaborations ‘Presents Difficult Messages’\, and April saw the release of ‘Wolf Eyes w/ Spykes’\, bringing a much sought after early release to vinyl for the first time\, documenting a recording session pivotal to the ongoing development of the group’s sound. Alongside this has been the usual steady stream of lathe cuts\, side hustles\, art and inzanity. \n\n\n\n\nhttps://wolfeyes.xyz/\n\n\n\n\nYEAH YOU is the Welsh duo of Elvin Brandhi and Gustav Thomas which came out of the Tyneside noise scene in 2013. Their music is the monster they find hiding under every surface from formica to fibre glass to fortune and unforgivingness; their charge is to explode its merciless tongues so as to lick the dancefloor clean of reactionary gloop. The duo have released on Slip\, Opal Tapes and Alter\, with forthcoming releases on Nashazphone and Mouhoi. ‘… an absurd pairing of the Rilkean sublime [with] knackered EDM… Wildly inventive and genuinely weird… underground music at its best.’ Stewart Smith\, Wire (413) \n\n\n\n\nhttps://yeahyou.bandcamp.com/\n\n\n\n\nRUBBER is a hardcore punk band featuring members of Joy-Rides\, Negative Space\, Sauna Youth and Scrap Brain. Minor details\, interference\, a ceramic light – for your consideration.
URL:https://eventsforlondon.co.uk/event/wolf-eyes-yeah-you-rubber/
LOCATION:The 100 Club\, 100 Oxford St\, Oxford Street\, W1D 1LL\, London\, W1D 1LL
CATEGORIES:Events in London,Live Music,Music
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DTSTART;TZID=Europe/London:20230304T193000
DTEND;TZID=Europe/London:20230304T230000
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SUMMARY:NO AGE + SHAKE CHAIN
DESCRIPTION:Upset The Rhythm presents… \n\n\n\nNO AGESHAKE CHAINSaturday 4 March100 Club\, 100 Oxford St\, Oxford Street\, W1D 1LL7.30pm | £14 |  Tickets: https://link.dice.fm/Zf02f4acddc4 \n\n\n\nNO AGE have a guiding principle: first thought\, best thought. Constantly responding to their own streams of consciousness with reductive flexibility\, they’ve taken the basic duo of guitar and drums with vocals WAY farther than anyone listening in halcyon Weirdo Rippers days could have guessed. Expounding on those larval possibilities\, they’ve zig-zagged in serpentine precision\, in and out of the teeth of the wringer – ranging outside and back in again\, as befits the present thought. And now\, 16 years deep and six albums into it\, these motives have led them to make People Helping People (Drag City). \n\n\n\n‘People Helping People’ sees No Age deep in the lab\, scraping available nuclii together to see what new compound they find next. Erasing the starting points\, reordering the pieces and beginning anew. Side one ricochets expertly back and forth between magisterial instrumentals\, and sing-song forms cut up on the mixing desk\, as with the undeniable hitness of “Plastic (You Want It)”\, winningly rewired to MIDI-mangled beat squelches. Straight up punk-style riffs get busy on side B\, their aesthetic choices continuously reframe the norms\, enhancing their inherent power. ‘People Helping People’ finds their disparate desires operating in perfect sync; prolegomenic weirdness fused immaculately to classic rock propulsion\, transforming the energy pouring out from their hands and feet with electronics.  This is ‘People Helping People: unpretentious\, suspicious\, inviting\, and left-field. The most accurate display of the No Age ethos put to record. Yet!https://noage.bandcamp.com/ \n\n\n\nSHAKE CHAIN have been busy demolishing audiences and expectations for the best part of the last three years. Vocalist Kate Mahony sets that standard by anything from crawling through the audience’s legs in a bright yellow raincoat to crying and washing her hands in a nearby toilet as the rest of the band start the set. A feeling of anxiety and unease conjures relevant questioning\, ‘what an earth is going on?’\, ‘am I hallucinating?’ and ‘is this part of the show?’\, all hallmarks of Shake Chain’s unruly and lyric-bespattered rock show. The four-piece from London are completed by Robert Eyres (Synth/Guitar)\, Chris Hopkins (Bass/Synth/Samples) and Joe Fergey (Drums). Born from the ashes of their former bands\, the group met with a desire to create something that would feel new for each of them and audibly take its own course. The result is a nervous propulsion of bass lines\, twitchy guitars that jolt and jerk and tack sharp drums overridden by screeching vocal slurs and sampled television. Kate’s singing is a unique embrace of flights of atonal fancy\, head-first repetition and ecstatic frenzy. Opinion-dividing arguably\, but singular in making Shake Chain dauntingly brilliant. The band’s debut album ’Snake Chain’ is out now on Upset The Rhythm.https://upsettherhythm.bandcamp.com/album/snake-chain
URL:https://eventsforlondon.co.uk/event/no-age-shake-chain/
LOCATION:The 100 Club\, 100 Oxford St\, Oxford Street\, W1D 1LL\, London\, W1D 1LL
CATEGORIES:Cheap Tickets,Events in London,Gigs,Live Music
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DTSTART;TZID=Europe/London:20220731T193000
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SUMMARY:Niles Abston - Stand-up comedy show - 100 Club 31.08.2022
DESCRIPTION:Niles Abston is coming to London for the first time! He will be performing at The 100 Club on the 31st of August 2022.  \nNiles Abston is a stand-up comedian\, writer and director originally from Flowood\, Mississippi. He recently dropped his debut comedy special ‘GIRLS DON’T TWERK TO JOKES’\, which debuted at #3 on the iTunes comedy charts. Niles has headlined sold-out shows all over the U.S  and will be performing at the much-awaited comedy festival Netflix is a Joke on May 4th.  \nGet tickets here for Niles Abston at The 100 Club in London: https://www.tickettailor.com/events/restlessmindsprod/689162 \nCheck out Niles Abston: https://linktr.ee/nilesabston \n  \nRestless Minds Prod & Sean Healy presents
URL:https://eventsforlondon.co.uk/event/niles-abston-stand-up-comedy-show-100-club-31-08-2022/
LOCATION:The 100 Club\, 100 Oxford St\, Oxford Street\, W1D 1LL\, London\, W1D 1LL
CATEGORIES:Arts,Comedy,Events in London,London Theatre,Writers
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DTSTART;TZID=Europe/London:20210902T193000
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SUMMARY:Live Concert - Trash Kit + Es + No Home  at100 Club
DESCRIPTION:Live Concert – Upset The Rhythm presents…\nTRASH KIT\nES\nNO HOME \nTRASH KIT is Rachel Aggs (guitar\, vocals)\, Rachel Horwood (drums\, vocals) and Gill Partington (bass). Three deeply creative individuals who play in many other groups\, including Bas Jan\, Sacred Paws\, Shopping and Bamboo\, united by a shared decade of spry musicality that surges through their bodies\, hearts and heads with Trash Kit. Their songs\, once succinct\, patchwork post-punk numbers of an honest diary-like nature now tussle more with long-form songwriting\, expeditious polyphony and cascades of sung-spoke vocals. Recent tracks like ‘Disco’ have had their fabric stretched into smart new shapes\, allowing the band to run away with refrains and unlock the dancefloor. Although Trash Kit has their forebears in bands like Sleater Kinney\, The Ex and The Raincoats\, their sound is still their own take on facing forwards. It relies as much on the naturalism of an internalised folk music as on their sincerity of vision. \nSince forming in 2009\, Trash Kit has released two albums for Upset The Rhythm and a selection of singles\, 2019 however\, saw them make their most majestic move yet with their resoundingly huge ‘Horizon’ album. For this album\, carefully crafted through years of playing out live\, the band have chased down the distance between what they wanted the record to sound like and its realisation. They’ve augmented these songs with choral arrangements\, piano\, saxophone\, harp\, viola and cello. Pulling ideas from everywhere between the earth and sky\, to push themselves further\, to go beyond. Aggs’ guitar playing for this album was informed by her love of guitar music from Zimbabwe; her cyclical motifs billow with lean Mbira rhythms. Horwood has similarly approached her drumkit with an untamable freedom\, allowing it to breathe as a vivid lead instrument. Trash Kit’s music is woven with silence and punctuation\, and this is where the resonant\, driving bass of Partington fits in. The bass has become now central to shaping the melody of this new collection of songs. Trash Kit’s approach to life as with music is openness\, inclusion and potential\, and Horizon is an album with that in dutiful abundance. It is an album that forever listens for the next moment and will meet you at the vanishing point once more.\nhttps://www.facebook.com/Trashkit4lyfe \nES is Maria Cecilia Tedemalm (vocals)\, Katy Cotterell (bass)\, Tamsin M. Leach (drums) and Flora Watters (keyboards). Their 2016 debut EP\, Object Relations\, released on influential London punk label La Vida Es Un Mus\, was described as “mutant synth-punk for our dystopian present” (Jess Skolnik\, Bandcamp\, Pitchfork). The band has since become a vital presence in London’s underground DIY music scene and toured the UK with the Thurston Moore Group in 2017. ‘Less of Everything’. The title of Es’ first full-length LP could be interpreted as a manifesto pledge\, an outright demand or a purely literal sonic descriptor of the London quartet’s glacial form of punk rock music. This tension between intent and interpretation has been a fundamental element of the group’s output from their formation. The dynamic between Cotterell’s bass and Watters’ keyboard is at the heart of Es’ sound: intertwining sub-zero melodies\, gothic anarcho-punk influences and some entirely unlocatable aquatic component. When combined with Leach’s precise drumming\, the outcome is original and immediately recognisable. This provides the perfect backdrop for Tedemalm’s relentless\, pointed vocal style. While comparable ‘cold’ sounding groups might affect an impersonal\, safer mode of lyrical or vocal detachment\, Tedemalm’s strategy is to “push the lyrics as far as I can thematically until they become absurd … overly dramatic … while still being sincere in the feeling they’re trying to invoke. ‘Less of Everything’ was released last year by Upset The Rhythm.\nhttps://esband.bandcamp.com/ \nNO HOME is the lo-fi rock solo project of Charlotte Valentine\, who fuses the grunge and ambient songs of early 00s new york rock with an urgent\, captivating call to self-preservation. Having enthralled audiences at Decolonise Fest and support slots with Downtown Boys\, Moor Mother and Big Joanie\, No Home’s recordings are full of unease and disorientation; modal melodies are interwoven with rolling rhythmic noise. Valentine’s powerful voice and experimental song structures dilate and expand time\, pushing against genre boundaries and resisting enclosure. Surviving under capitalism is a drag—it’s the oldest story in rock’n’roll—but No Home captures the weight of its dehumanization in a uniquely visceral way.
https://nohome.bandcamp.com/ \nThursday 2nd September\n100 Club\, 100 Oxford St\, Oxford Street\, W1D 1LL\n7.30pm | £12 | https://link.dice.fm/orNKF57yWgb  \n 
URL:https://eventsforlondon.co.uk/event/live-concert-trash-kit-es-no-home/
LOCATION:The 100 Club\, 100 Oxford St\, Oxford Street\, W1D 1LL\, London\, W1D 1LL
CATEGORIES:Arts,Concerts,Entertainment,Events in London,Food & Drink,Live Music,London Musicals
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