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SUMMARY:Book Launch: The Conformed Body: Contemporary Art in China
DESCRIPTION:The book launch for Professor Jiang Jiehong’s The Conformed Body: Contemporary Art in China\, published by Brill\, will include a presentation by Professor Jiang Jiehong (Birmingham City University)\, remarks by Professor Chris Berry (King’s College London) and Dr Wenny Teo (The Courtauld Institute of Art)\, and a panel conversation moderated by Dr Panpan Yang (SOAS University of London). \nSample books will also be available. \nThe event is part of SOAS East Asian Research Seminar (EARS). It is free and open to all. But booking is essential. \n\n\n\n\nAbout the new book \nThrough the perspective of the ‘conformed body’\, this groundbreaking book examines the role in art of everyday conformist practices in the People’s Republic of China\, such as mass assemblies and bodily trainings and exercises\, as well as their impact on people’s perceptions and collective memories. It identifies related artworks\, reassesses artistic interpretations with critical reflections\, and explores a key origin of artistic productions in post-Mao China. Featuring 200 colour illustrations\, the book discusses works by more than 30 internationally acclaimed Chinese contemporary artists\, including Ai Weiwei\, Geng Jianyi\, Song Dong\, Xu Bing\, Zhang Peili and Zhang Xiaogang. \n\n\n\n\nAbout the main speakers \nJiang Jiehong is Professor of Chinese Art\, Director of the Centre for Chinese Visual Arts\, Birmingham City University\, and Principal Editor of the Journal of Contemporary Chinese Art (Intellect). Jiang has been Lead Curator for many international exhibitions including the Guangzhou Triennial: The Unseen (2012)\, the Asia Triennial Manchester: Harmonious Society (2014)\, and the First Thailand Biennale: Edge of the Wonderland (Krabi\, 2018-19). Jiang’s recent book publications include An Era without Memory: Chinese Contemporary Photography on Urban Transformation (2015)\, The Art of Contemporary China (2021) and The Otherness of the Everyday: 12 Conversations from the Chinese Art World during the Covid-19 Pandemic (2021). \nChris Berry is Professor of Film Studies at King’s College London. In the 1980s\, he worked for China Film Import and Export Corporation in Beijing\, and his academic research is grounded in work on audio-visual media of the Sinosphere. Books include: Cinema and the National: China on Screen; Postsocialist Cinema in Post-Mao China: the Cultural Revolution after the Cultural Revolution; Chinese Film Festivals: Sites of Translation; Routledge Handbook of East Asian Popular Culture; Public Space\, Media Space; The New Chinese Documentary Film Movement: For the Public Record; and Electronic Elsewheres: Media\, Technology\, and Social Space. \nWenny Teo is a specialist in modern and contemporary art\, with a particular emphasis on China and Chinese diasporas in transnational and global contexts. She is currently a Senior Lecturer (Associate Professor) in Modern and Contemporary Art at The Courtauld Institute of Art. Her writing has been published in numerous academic journals\, exhibition catalogues and art magazines. \nPanpan Yang is Lecturer (Assistant Professor) in the arts and visual cultures of modern China at SOAS University of London. From 2023 to 2025\, she is the Principal Investigator of the Arts and Humanities Research Council (AHRC) funded research project on calligraphic imagination in contemporary art and emerging media. With Jiang Jiehong\, she is co-editing a special issue of the Journal of Contemporary Chinese Art on the moving image. She is also the co-founder of Small Gallery\, an experimental art space in North London. \n\n\n\n\nEvent Location \nThe event will take place at Brunei Gallery Lecture Theatre (BGLT) within the SOAS Brunei Gallery. \nAddress: \nThornhaugh Street\, Russell Square\, London WC1B 5DQ \nThe SOAS Brunei Gallery is located between Malet Street and Thornhaugh Street\, in the north-west corner of Russell Square. The Gallery is a five minute walk from the British Museum. \n\n\n\n\nAcknowledgement \nThe book event is part of SOAS East Asian Research Seminar (EARS). We gratefully acknowlege the support from the Centre for Chinese Visual Arts (CCVA)\, Birmingham City University\, the Arts and Humanities Research Council (AHRC)\, SOAS School of Arts\, the SOAS-Alphawood Postgraduate Diploma in Asian Art\, and SOAS China Institute. \n\n\n\n\n\n\n\n\n\n\n\n\nRegistration: https://www.eventbrite.co.uk/e/book-launch-the-conformed-body-contemporary-art-in-china-tickets-912744161357?aff=oddtdtcreator
URL:https://eventsforlondon.co.uk/event/book-launch-the-conformed-body-contemporary-art-in-china/
LOCATION:Brunei Gallery SOAS\, Thornhaugh Street\, Russell Square\, London\, WC1H 0XG
CATEGORIES:Arts,Events in London,Seminars,Visual Arts,Writers
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DTSTART;TZID=Europe/London:20191012T170000
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SUMMARY:The Launch of  13th Native Spirit Indigenous Film Festival- UNESCO IYIL2019
DESCRIPTION:Programme may be subject to changes – check for updates. \nJoin us for morning 10-1pm and afternoon 2-4pm events at Brunei Theatre (see Individual listings). Follow us on social media @nativespirituk\n__________\nNative Spirit launches on Indigenous Peoples Day (Americas) celebrating UNESCO International Year of Indigenous Languages 2019\, partnering with SOAS World Languages Institute; The Philippine Embassy and Philippine Studies at SOAS. \nWe are delighted to announce Director of K’na\, IDA ANITA DEL MUNDO\, will join us from The Philippines to attend in person and thrilled to welcome Presenter: LAURA SAMPSON – London-based storyteller-promoter who studied literature at UCL\, performance in UK & Japan\, and finds SOAS’ World Music programme irresistible. Laura also co-hosts Film & TV radio show Shoot the Breeze on Resonance 104.4FM. \nLive and vital artist ZENA EDWARDS opens festival playing !Xuma mouthbow from the Kalahari desert while singing Afro Blue – a tribute to her Grandfather. \nSOPHIE SALFFNER\, Archivist at the Endangered Languages Archive\, SOAS University of London\, speaks about The Endangered Language Archive (ELAR)\, a digital repository and multimedia collection of over 450 endangered languages\, with regional strongholds in Africa\, the Middle East\, Asia\, Australia and Latin America containing audio and video recordings of every day language use\, verbal art\, songs\, narratives\, ritual and dictionaries. \nEDUARDO SANTIAGO presents Nusavi (Mexico) voice recordings to SOAS Endangered Language Archive. Eduardo is founder of Atlachnolli cultural dance group in London. \nKỌ́LÁ TÚBỌ̀SÚN (also called KT) shares folk song and poetry from his native Yorùbá. Kọ́lá is a Nigerian writer\, poet\, and linguist\, author of Edwardsville by Heart. He writes in Yorùbá and English\, and his work has been translated into Korean and Spanish. He is currently a Chevening Fellow at the British Library. \nETIENNE CHARLES: CARNIVAL THE SOUNDS OF A PEOPLE\nThree DocuShorts from jazz professor Etienne Charles and Maria Nunes looking at the history of Indigenous Caribbean and Carnival: CARNIVAL: THE SOUND OF A PEOPLE\, BAMBOO and JAB MOLASSIE \nBAMBOO is the third movement of a composition by Etienne Charles as part of his newest album “Carnival: The Sound of a People”. The suite highlights the evolution of sonic identity in Trinidad & Tobago due to suppression by the British Colonial Authorities in the 19th century. In this movement\, Charles goes to Claxton Bay to record the legendary group Claxton Bay Tamboo Bamboo. The footage was recorded for Charles to work with during his composition process. The film was constructed to showcase the inspirations and research behind the musical creation. \nJAB MOLASSIE was conceptualized and composed by Etienne Charles as part of his latest album\, ‘Carnival: The Sound of a People’. The film shows Charles as he is exposed to the sights\, sounds\, and movements of Jab Molassie in Paramin and Port of Spain\, highlighting the myriad influences that inspired this composition. Initially\, the footage was only used by the composer to inspire sounds. The idea for the film came after the music had been composed and recorded to increase awareness and impact. \nCelebrating 70th Anniversary of Skolt Sámi move to Inari area\, Finland \nBIRDS OF THE EARTH\nDir. Marja Helander | 2019 | Sámi\, Finland | 11’\nBirds in the Earth is a short film based on dance\, telling a bit of a melancholic story about Sámi people´s rights in today´s Finland\, the Sámi being the indegenous people of Northern Europe. The story is told through the dance performances of two young Sámi sisters\, Birit and Katja Haarla. \nK’NA THE DREAMWEAVER Q&A with Director Ida Anita del Mundo.\nDir. Ida Anita del Mundo\, 2014\, T’boli language with English subtitles\, Philippines\, 1h 25min\nWhen K’na\, a young T’boli princess of Lake Sebu\, inherits the gift of dreamweaving the sacred t’nalak fabric\, she has the chance to weave together her village’s warring clans. But\, will she give up true love to do so? A period piece about the T’bolis of South Cotabato in the Philippines.
URL:https://eventsforlondon.co.uk/event/13th-native-spirit-indigenous-film-festival-launch-5-9pm-unesco-iyil2019/
LOCATION:Brunei Gallery SOAS\, Thornhaugh Street\, Russell Square\, London\, WC1H 0XG
CATEGORIES:Arts,Festivals,Films,Movies,Performing Arts,Visual Arts
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DTSTART;TZID=Europe/London:20191012T140000
DTEND;TZID=Europe/London:20191012T160000
DTSTAMP:20260409T131048
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SUMMARY:13th Native Spirit Indigenous Film Festival - Opening (Day)
DESCRIPTION:photo credit ©Bruno Gomes AEI\n#NSFF13 Launch Day 10am-1pm\, 2-4pm\, Gala Night 5-10pm \nCONTEMPORARY INDIGENOUS ELECTRONIC ARTS AND GUARDIANS OF THE FOREST IN BRAZIL \nSebastián Gerlic\, Thydêwá Director from Brazil and curator Dr Thea Pitman\, School of Languages\, Cultures and Societies\, University of Leeds\, present REFLECTIONS – a series of Arte Electrônica Indígena (AEI) Short films made with Aldeia do Cachimbo\, Camaca Imboré/Tupinambá; Karapotó Plak-o; Pataxó de Barra Velha; and Kariri-Xocó communities\, and discuss the use of digital media to enhance Indigenous Peoples’ visibility worldwide. Followed by interactive Digital Body Painting and chance to see small collection of Indigenous artworks from some of the communities in this project.\n______________ \n3:15PM – GUARDING THE FOREST – Q&A Dir. Max Baring\nA documentary Directed by Max Baring and Karla Mendes for Thomson Reuters Foundation This is Place initiative\, which takes us to the frontline of forest protection with Guardians of the Forest\, a Guajajara force risking their lives to defend Guajajara Indigenous territory from illegal loggers in the Brazilian Amazon. \n(SKYPE TBC) SURVIVAL INTERNATIONAL Gabriella Rutherford\, Research and Advocacy Officer\, will speak about Survival’s campaign to #StopBrazilsGenocide. Survival is the global movement for tribal peoples and has been fighting for the rights of Brazilian tribes since 1969. It has used it’s 50+ years expertise in international lobbying and campaigning to work through international institutions and effect change on the ground. Survival believes that Jair Bolsonaro’s presidency is the gravest threat to Indigenous Peoples in decades.
URL:https://eventsforlondon.co.uk/event/13th-native-spirit-indigenous-film-festival-opening-day/
LOCATION:Brunei Gallery SOAS\, Thornhaugh Street\, Russell Square\, London\, WC1H 0XG
CATEGORIES:Arts,Digital Arts,Entertainment,Family Activities,Festivals,Films,Free Events,Performing Arts,Shows,Visual Arts
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20191012T100000
DTEND;TZID=Europe/London:20191020T170000
DTSTAMP:20260409T131048
CREATED:20191008T023733Z
LAST-MODIFIED:20191009T042822Z
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SUMMARY:NATIVE SPIRIT INDIGENOUS FILM FESTIVAL 2019
DESCRIPTION:13th Annual Native Spirit / Indigenous Film Festival is back 12 – 20 October bringing you 87+ films\, hosted at SOAS Bloomsbury and other venues. A celebration of the best in contemporary Indigenous Cinema\, Media and Arts\, Native Spirit brings to the UK the very best Indigenous films from across the globe representing top Native Filmmakers\, writers and musicians. \nThis year’s line up explores Indigenous languages\, Indigiqueer\, Dreamtime weaving patterns\, Decolonial Love\, and 2-Spirit. Travelling from the Arctic to hear throat-singing\, to Indigenous Caribbean jazz to learn the real history of Carnival\, to Melanesia Wantok dances of Resistance. From Bolivia – Saints\, Cholas and Morenos\, to Peruvian Andes for Winaypacha. Meet more diversity than you could ever imagine\, with documentaries to inspire\, magical stop-motion; avant-garde digital arts and interactive digital bodypainting from Indigenous Brazil. Plus live performances from poet and performance artist Zena Edwards playing !Xuma mouthbow from the Kalahari desert; and poetry and song from Kọ́lá Túbọ̀sún\, Nigerian linguist\, writer\, scholar and cultural activist credited with adding Yoruba language to Twitter. \n\n\n \n  \nAccompanied by Q&A’s and Conversations with…’ special guest Thirza Cuthand\, Cree videomaker and performance artist (Sunday 13 October 2pm at The Horse Hospital)\, and screening award winning filmmakers including Michif animator Amanda Strong’s Biidaaban (The Dawn Comes) a story of magic and resistance\, plus more special guests it’s a must attend for anyone interesting in contemporary Indigenous cultures and indigenization. \nNative Spirit / Indigenous Film Festival is screening many UK Premieres\, plus films subtitled in English especially for our audiences. For many of the movies premiered\, the festival will be the only chance to watch these films with English subtitles. Don’t miss out on this rare chance to see incredible and fascinating films made by Indigenous people telling Indigenous peoples stories. \nFestival opens 10am on Indigenous Peoples Day (Americas)\, Saturday 12th October at SOAS Brunei Theatre\, Bloomsbury\, the first of three distinct sessions. Check our programme listings for full details of all three sessions including Indigenous Digital Arts from Brazil and live digital bodypainting. Small textile diplays from Brazil\, Philippines\, Mexico. Day sessions free with requested donation – Evening session just £10.
URL:https://eventsforlondon.co.uk/event/native-spirit-indigenous-film-festival-2019/
LOCATION:Brunei Gallery SOAS\, Thornhaugh Street\, Russell Square\, London\, WC1H 0XG
CATEGORIES:Charity Events,Crafts,Digital Arts,Films,History,Live Music,Performing Arts,Visual Arts
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20191012T100000
DTEND;TZID=Europe/London:20191012T130000
DTSTAMP:20260409T131048
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SUMMARY:13th Native Spirit Indigenous Film Festival – North Americas
DESCRIPTION:WHO OWNS THE CONTENT?\nDir. Subhashish Panigrahi | 2019 | English\, Spanish\, India\, Sri Lanka | 1′\nThe real story of a young Colombian man orphaned at an early age. While he was away from home studying in a city\, he found out about a a box of cassette tapes containing his late father’s interview which were recorded by a researcher in Europe. The tapes contained folk songs and stories from the father’s childhood. The young man thought it would be interesting to digitize the tapes and share them online\, and he did that. Soon after his siblings saw the recordings online and they did not like the recordings going online. The question—who owns the content—is complicated. The narrator leaves the audience to wonder who it could be—the researcher who recorded them in the first place\, the late father\, the children\, or the community themselves whose songs and stories are recorded.   \nDIZHSA NABANI\nDir. Sabea K. Evans\, Kathryn Goldberg\, Marcelo Jauregui-Volpe\, Edward Ogborn\, Catherine Rodgers\, Moisés García Guzmán | 2018 | Mexico | 45’\nA documentary project on Zapotec language and identity in San Jerónimo Tlacochahuaya\, Oaxaca\, Mexico.  \nUMONHON IYE THE OMAHA SPEAKING\nDir. Brigitte Timmerman | 2018 | Omaha\, United States | 67’\n“Our Language is Sacred\, no one can take it from us.”–Omaha Elder. Only a handful of Native American fluent speakers remain of the Omaha Tribe. Fluent speaking elders reflect on growing up speaking their native language\, the efforts that was taken from the government to phase it out and why it is so important to preserve it. Hopefulness is expressed by the elders and a dedicated group of educators attempts to keep their language alive.   \nVOICES OF OUR ANCESTORS\nJoe Yates | 2018 | Yup’ik & Haida\, United States | 13’\nYup’ik\, Inupiat\, Tlingit\, Alutiiq\, Koyukon\, Aleut\, Tsimshian\, Gwich’in\, Haida… Alaska is home to more than 20 Native languages. From the fjords in the Southeast to the northern tundra where it meets the Arctic Ocean\, Alaskan languages have been spoken and sung for tens of thousands of years. See first-hand how important your Native language is and the effect on the way you live – a bi-cultural marriage begins to teach their daughter the heartbeat of their culture by revitalizing their language. \nBIMAADIZIWIN (THE LANGUAGE) – WAPIKONI MOBILE\nMary-Agnes Shawana | 2018 | Anishnabe\, Canada  | 4’\nFilmed during the Sheguiandah Annual Jiingtamok\, this film explores what the Anishinaabemowin language means to its speakers\, and why it is so important to promote and preserve it\, as it is an integral part of Wiikwemkoong’s culture\, history\, and identity. \nLEARNING DENE AND THE TALE OF THE RAVEN – WAPIKONI MOBILE\nThe Wapikoni team | 2017 | Innu\, Canada | 5’\nLearning Dene can be quite difficult\, but thankfully the children can rely on their elders for storytelling in their native language.
URL:https://eventsforlondon.co.uk/event/13th-native-spirit-indigenous-film-festival-north-americas/
LOCATION:Brunei Gallery SOAS\, Thornhaugh Street\, Russell Square\, London\, WC1H 0XG
CATEGORIES:Arts,Education,Festivals,Films
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