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SUMMARY:The Haunted Gallery: Untold Stories of Art & Magic
DESCRIPTION:Magic is a dark vein running through the history and practice of art. Join us for a selection of talks and discussions on artists and magic in art. Talks include occult art in the archives of Tate Britain and The College of Psychic Studies\, the lives of Madge Gill and Austin Osman Spare\, and the making of apotropaic genderqueer deities and how they ended up on walls across Britain. \n\n\n\nVisions of the Occult: An Untold Story of Art & MagicArchivist Victoria Jenkins presents her major survey of the occult collection of artworks\, letters\, objects\, and ephemera in the Tate Archive. This talk offers an in-depth exploration of the occult and its relationship to art and culture\, including witchcraft\, alchemy\, secret societies\, folklore and pagan rituals\, demonology\, spells and magic\, para-sciences\, astrology\, and tarot.She reveals some of the 150+ unseen esoteric and mystical pieces\, never-before-seen by the public and brings a new understanding to the artists in the Tate collection and the history and practice of the occult. The first major survey of the occult collection of artworks\, letters\, objects\, and ephemera in the Tate Archive.Her lavishly illustrated magical volume\, Visions of the Occult: An Untold Story of Art & Magic (Tate Publishing 2022)\, explores the hidden artworks and ephemera left behind by artists for the first-time idea and will shed new light on our understanding of the art historical canon. Expect to find the unexpected with artists such as Ithell Colquhoun\, John Nash\, Barbara Hepworth\, David Mayor\, Max Armfield\, Cecil Collins\, Jill\, and Bruce Lacey\, Francis Bacon\, Alan Davie\, Joe Tilson\, Henry Moore\, William Blake\, Leonora Carrington\, and Hamish Fulton. For the first time\, the clandestine\, magical works of the Tate archive are revealed\, with archivist Victoria Jenkins acting as the depository of its secrets. \n\n\n\nVivienne Roberts: Lost Artists at The College of Psychic StudiesVivienne Roberts is the curator and archivist at The College of Psychic Studies in London\, where she cares for their large collection of spirit-inspired art\, photographs\, and artifacts from 1850 to the present day. This unusual archive\, along with the College’s specialist esoteric library\, has offered Vivienne the opportunity to immerse herself in a wealth of primary material and has been instrumental in helping her curate a series of large exhibitions\, including Encounters with the Spirit World (2016)\, Art & Spirit: Visions of Wonder (2019)\, Strange Things Among Us (2021) and Creative Spirits (2022).Vivienne’s art specialism is the history of mediumistic art with particular attention to its women practitioners. She has established the websites mediumisticart.com\, georgianahoughton.com and madgegill.com and her independent research has led to the rediscovery of several spirit-inspired artists who have fallen into obscurity\, such as Alice Pery and Alice Essington Nelson.Vivienne is a member of the Visionary Women Research Group and the British Art Network. \n\n\n\nVivienne Roberts & Sophie Dutton: Madge Gill and MyrninerestMadge Gill (1882-1961) was one of Britain’s most creative and visionary self-taught artists. An outstanding exponent of mediumistic art and one of the foremost British Outsider artists. She was born in the East End of London\, where she spent the greater part of her life. On 3 March 1920\, Madge was first ‘possessed’ by Myrninerest\, her spirit-guide. Her contact with this phantom figure would be maintained without interruption throughout the rest of her life.Roger Cardinal\, who coined the term Outsider Art in 1972\, writes in his latest biography ‘The Life of Madge Gill’: Gill’s frenetic improvizations have an almost hallucinatory quality\, each surface being filled with checkerboard patterns that suggest giddy\, quasi-architectural spaces. Afloat upon these swirling proliferations are the pale faces of discarnate and nameless women\, sketched perfunctorily\, albeit with an apparent concern for beauty\, and with startled expressions.Working under the control of Myrninerest\, Madge’s art remains an enigma. Sophie Dutton joins Vivienne Roberts to discuss Gill’s life\, work and magical working. Sophie is the editor of Madge Gill by Myrninerest; a personal journey through the extraordinary archives of Madge Gill. Consisting of conversations\, exclusive interviews\, essays from outsider art specialists\, family photographs and hand-written correspondence—plus rare and unseen works\, including her revelatory large-scale embroideries— her book takes us ever closer to the enigmatic\, troubled\, and inspirational artist\, Madge Gill. \n\n\n\nPhil Baker: Austin Osman Spare: The Life and Legend of London’s Lost ArtistA controversial enfant terrible of the Edwardian art world\, the young Austin Osman Spare was hailed as a genius and a new Aubrey Beardsley\, while George Bernard Shaw reportedly said “Spare’s medicine is too strong for the average man.”But Spare was never made for worldly success\, and he went underground\, falling out of the gallery system to live in poverty and obscurity south of the river. Absorbed in occultism and sorcery\, voyaging into inner dimensions and surrounding himself with cats and familiar spirits\, he continued to produce extraordinary art while developing a magical philosophy of pleasure\, obsession\, and the subjective nature of reality.Phil Baker is a writer based in London. His books include The Devil Is a Gentleman: The Life and Times of Dennis Wheatley and Austin Osman Spare: The Life and Legend of London’s Lost Artist (Strange Attractor)\, called by Alan Moore “little short of marvelous.” \n\n\n\nRachael House – Creating Genderqueer DeitiesRachael House describes the creation of her genderqueer deities and how they ended up on walls acrossBritain. They are wall-hanging apotropaic sculptures\, some are embellished with beads woven from queer newspapers\, bottle tops and stamped ceramic charms. All the stamps used to decorate the deities are handmade\, and highly charged with meaning. They include goddess symbols\, trans and feminist symbols and stamps of the objects used to protect the maker from harm in witches’ bottles- pins\, sharp things\, hair\, salt and herbs.Rachael House’s work is informed by her research into witch bottles\, often made from Bellarmine jugs in the sixteenth and seventeenth centuries. Rather than warding against witches’ spells\, her genderqueer deities protect us from gender conformity and those who would attack the rights of women\, womxn and all of those with less power than the ruling elites.Rachael House is a UK artist who makes events\, objects\, performances\, drawings and zines. Events have been curtailed over the past years\, and drawing has taken centre stage\, with her first book\, Resistance Sustenance Protection\, published in May 2021. Rachael House’s work focuses on feminist and queer politics and resistant histories/herstories\, aiming to reach as many like-minded people as possible\, inside and outside of the art world. She uses humour\, personal engagement and events to draw in those who may not be like-minded too – she recruits.
URL:https://eventsforlondon.co.uk/event/the-haunted-gallery-untold-stories-of-art-magic/
LOCATION:Conway Hall\, 25 Red Lion Square WC1R 4RL London United Kingdom\, London\, United Kingdom
CATEGORIES:Arts,Cheap Tickets,Events in London,Visual Arts
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DTSTART;TZID=Europe/London:20221119T100000
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SUMMARY:The Haunted Landscape: Folklore\, Monsters and Ghosts
DESCRIPTION:The Haunted Landscape calls again with demons in the landscape\, kings sleeping beneath the ground and the ghosts that have followed us through all of human history. Join the London Fortean Society at Conway Hall (or on the live stream) for a day of talks and short films on the folklore of Britain and beyond. \nIrving Finkel – The First GhostsIrving Finkel takes us back to the very beginning. A world-renowned authority on cuneiform\, the form creative commons of writing on clay tablets that date back to 3400BC\, Finkel has embarked upon an ancient ghost hunt\, scouring these tablets to unlock the secrets of the Sumerians\, Babylonians\, and Assyrians to breathe new life into the first ghost stories ever written. In his book The First Ghosts\, he uncovers an extraordinarily rich seam of ancient spiritual wisdom which has remained hidden for nearly 4000 years\, covering practical details of how to live with ghosts\, how to get rid of them and bring them back\, and how to avoid becoming one\, as well as exploring more philosophical questions: what are ghosts\, why does the idea of them remain so powerful despite the lack of concrete evidence\, and what do they tell us about being human?Dr Irving Finkel is Assistant Keeper of Ancient Mesopotamian (i.e. Sumerian\, Babylonian\, and Assyrian) script\, languages\, and cultures Department: the Middle East at the British Museum\, headquartered in London’s Bloomsbury. He is the curator in charge of cuneiform inscriptions on tablets of clay from ancient Mesopotamia\, of which the Middle East Department has the largest collection – some 130\,000 pieces – of any modern museum. This work involves reading and translating all sorts of inscriptions\, sometimes working on ancient archives to identify manuscripts that belong together or join one another. \nBrice Stratford – The New Forest: A Pocket of PixiesBrice Stratford discusses the specific pixie traditions of the New Forest\, which survive strongly today in genuine\, lived belief as a real exception to the rest of the country. Most are familiar with the folkloric survival of the Cornish and Devonian pixie traditions and are aware that pixie belief once extended from there across the entire south coast\, but the survival of it in the New Forest as a distinct pocket has not been commented on\, and the character of the pixies there has evolved in a different direction to that of Cornwall and Devon\, wilder and more reflective of the New Forest “Commoning” practices and culture\, in whose community the stories have survived\,Brice is an English director\, writer\, historian\, folklorist\, actor-manager\, and heritage campaigner. He is the author of Anglo-Saxon Myths: The Struggle for the Seven Kingdoms and New Forest Myths and Folklore. \nLisa Schneidau – Monsters from the Deep: River Folk Tales of Britain and IrelandWeed-strewn crones\, just waiting to pull you into the river. Swans with serious grudges and eels with drinking problems. Hideous creatures never see the light of day… until you fish them out of the river. Lisa Schneidau tells tall tales from the dark side of our freshwater folklore.Lisa Schneidau is a storyteller and environmentalist based in Dartmoor. She seeks out and shares traditional stories about the land and our complex relationship with it. Lisa is the author of River Folk Tales of Britain and Ireland\, Woodland Folk Tales of Britain and Ireland\, and Botanical Folk Tales of Britain and Ireland (all History Press).She tells stories at events\, nature reserves\, art centres\, and schools\, including performance storytelling\, training\, and storytelling development within education\, as well as helping to run South Devon Storytellers and Dartmoor Storytellers. Lisa trained as an ecologist and has worked in British nature conservation for twenty-five years. \nJeremy Harte – John Wesley and the Devil: Hell-Wrestling with the Magic MethodistsThe black flapping thing at the end of the lane was no trivial superstition but the Devil in person. Had not John Wesley himself grown up fearing the Lord through living in a haunted house? Many giants\, great and tall\, went stalking through the land\, his followers sang; if the thunder of the ogre’s voice usually reduced itself into the catcalling of an unregenerate mob\, that only confirmed its diabolical nature.Satan was a physical presence who clutched and dragged; supernatural visitants gave not just adviceand solace but enough light to illuminate a cottage room; spiritual progress was noisy and physical\, trembling\, crying\, struggling. Men of the people\, the popular preachers\, dreamed of what was to come and were guided by special providences\, shadows of the fortune-telling tracts that they had condemned. Through grace\, they cast out fiends\, dispelled ghosts\, and crushed the horrid powers of witches. Everything claimed for magic by the unworthy was done for the saints by zeal.Jeremy Harte is the curator of the Bourne Hall Museum at Epsom and Ewell. He is secretary of the Romany and Traveller Family History Society and created the Surrey Gypsy Archive. He is the author of Cloven Country: The Devil and the English Landscape (Reaktion\, 2022). \nJasper Goodall – Into The Wild NightJasper Goodall describes his work as portraying the haunted nightscape. Inspired by\, among many things\, the historical Swedish folk tradition of Årsgång\, translated as ‘the omen walk’. It is traditionally performed on new year’s eve or the winter solstice. At midnight one must walk alone and in the dark through woods to a specific location\, often the village church. Inside the woods\, one was said to encounter entities or manifestations that acted as omens for the coming year. His photographs capture stillness\, solitude\, and the sense of a hushed\, waiting presence that is perhaps more palpably felt in the hours of darkness.Goodall’s nocturnal photographs have been described as at once beautiful and terrifying. The images reference the idea that a kind of thrilling delight can be gleaned from viewing something eerie or disconcerting — imagining yourself in the dark places he visits. He teaches creativity and visual communication. He is a senior lecturer at the University of Brighton\, teaching generations of visual communicators for almost 20 years. \nDr Victoria Flood – Alderley Edge and the Dead ManAlderley Edge in North-east Cheshire (UK) is a red stand-stone escarpment above a subterranean network of mines\, associated with a long-lived legend of sleeping heroes who will awaken at a time of national crisis. A non-built heritage site now managed by the National Trust\, the Edge is intensely meaningful to a relatively small group of local stakeholders alongside a worldwide audience of readers engaged with the works of the novelist Alan Garner. Garner is perhaps best known for his Weirdstone trilogy\, set in (and underneath the surface of) Alderley Edge\, and his 2022 Booker prize-longlisted novella Treacle Walker\, which is similarly engaged with the haunted and mythologically resonant landscape of the wider region.Based on research undertaken as part of the Arts and Humanities Research-funded Invisible Worlds project\, this paper traces engagement with medieval prophecy at the Edge from the eighteenth century to the present\, exploring the emotional resonance of its multifaceted medievalisms. It takes as it centers the contested uses of the figure of the (un)dead man\, the waking sleeper beneath the Edge. \nRoy Vickery – Eerie Planet FolklorePlants have had symbolic and practical meanings and use since the beginning of human civilization. This talk on the rich variety of British and Irish folklore draws on Roy Vickery‘s unsurpassed archives collated over forty years and a wide range of historical and contemporary literature. Based on new material collected by Roy and showing that we still cling to the symbolic importance of plants. Putting conkers in wardrobes keeps moths away\, and parsley – the Devil’s plant – only germinates if sown on Good Friday.Roy worked as a botanist at the Natural History Museum\, London\, for over 30 years as the museum’s curator of vascular plants. He has published five books on plant folklore and is a former Honorary Secretary of the Folklore Society. He is president of the South London Botanical Institute. \nDaniel & Clara – Avebury Imaginary: a personal history of a stone circle & hillArtists Daniel & Clara take us on a personal journey to Avebury stone circle and Silbury Hill\, reflecting on a body of work in response to these ancient sites. \nAvebury is not just a place; it is a dream built into the landscape. \nSince meeting in 2010\, Daniel & Clara have dedicated themselves to a shared life of creative exploration\, working across moving images\, photography\, performance\, installation\, and correspondence art. Using themselves and their life together as their material\, their work explores the nature of human experience\, perception\, and reality. Set against the backdrop of the British landscape\, their work presents narratives of psychological disorientation and the human creature in crisis. Instagram: @daniel_and_clara Twitter: @DanielAndClara
URL:https://eventsforlondon.co.uk/event/the-haunted-landscape-folklore-monsters-and-ghosts/
LOCATION:Conway Hall\, 25 Red Lion Square WC1R 4RL London United Kingdom\, London\, United Kingdom
CATEGORIES:Arts,Classical Studies,Conferences,History,Photography
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SUMMARY:London’s Horror History & Offbeat British Cult Films
DESCRIPTION:Join the London Fortean Society with three writers on London and British horror as we look at the city’s dark cinematic street and how film transformed familiar British landscapes into spaces of terror. \nThe evening will show trailers for many of the films featured. \nLauren Jane Barnett – Death Lines: London’s Horror Film History \nLauren Jane Barnett unearths the literature\, legends\, and history behind horror classics including Peeping Tom and An American Werewolf in London\, and lesser-known works such as mind-control melodrama The Sorcerers; Gorgo\, Britain’s answer to Godzilla; tube terror Death Line; and Bela Lugosi’s mesmeric vehicle The Dark Eyes of London.\nTinged with humor\, social critique\, and more than a few scares\, her book Death Lines delights in revealing the hidden and often surprising relationship between London and the dark cinematic visions it has evoked.\nWhether read on the streets or from the comfort of the grave\, Death Lines is a treat for all cinephiles\, horror fans\, and lovers of London lore.\nIn the tradition of writing what you know\, Lauren Jane Barnett – in the life she’s lived\, the books she’s loved\, and the films she’s devoured – knows horror. \nDarrell Buxton and Jennifer Wallis – Offbeat: British Cinema’s Curiosities\, Obscurities and Forgotten Gems\nOffbeat contributors Darrell Buxton and Jennifer Wallis will be discussing some of Britain’s lesser-known cult films and their often-horrific depictions of mental healthcare and family relationships. From Twisted Nerve to Killer’s Moon\, and from Amicus’s Asylum to Pete Walker’s Frightmare\, we’ll see how British film between the 1960s and 1980s tackled some of the country’s thorniest issues\, in the process transforming familiar British landscapes into spaces of terror. \nOffbeat: British Cinema’s Curiosities\, Obscurities and Forgotten Gems (Revised and Updated) explores Britain’s obscurities\, curiosities and forgotten cinematic gems.
URL:https://eventsforlondon.co.uk/event/londons-horror-history-offbeat-british-cult-films/
LOCATION:The Amersham Arms\, 388 New Cross Road\, London\, SE14 6TY
CATEGORIES:Arts,Conferences,Conversation,Films,History,Literature,Society
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DTSTART;TZID=Europe/London:20180630T100000
DTEND;TZID=Europe/London:20180630T170000
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SUMMARY:The Haunted City: Modern Monsters and Urban Legends
DESCRIPTION:Listen to the tales of the land of England. Watch them come to live. \nAgenda as listed below: \n10am Scott Wood – Hidden Insult\n“A rude\, irreverent piece of revenge folklore” \n10.30am Gail Nina Anderson -The Vampire Rabbit of Newcastle\nIt “squats menacingly\, complete with lurid claws and fangs. \n11-11.10 Break \n11.10-11.40 Tina Rath – The Hackney Bear\nA ” “giant great growling hairy thing”. \n11.40-12.10 Antony Clayton – Subterranean London\nThe “capital’s ancient ‘secret’ passages and tunnels and sightings of ghosts underground.” \n12.10-12.15 Break \n12.15-1pm Justin Woodman – Pulp Fiction to Pop-Nihilism: H.P. Lovecraft’s Cthulhu and the Making of a Modern Monstrous Myth. Phil Hine – Something Queer in the Cellar: Lovecraft and Urban Horror\n“Cthulhu and Lovecraft’s expanded ‘Cthulhu mythos’ are considered to be an authentic esoteric reality by some”. \n1pm-2pm Lunch \n2-2.45pm Dr David Clarke – Tears for Fears: The Curse of the Crying Boy\nA “series of hyperbolic stories reporting the existence of a jinx attached to this hideously tasteless\, yet popular print.” \n3pm – 3.45pm Mike Dash – Spring-heeled Jack\nA “a demonic bogey who breathed fire at his victims\, tore at their clothes with iron claws”. \n4pm-5pm Andrea Kitta – Slender Man\nA “monster that has stepped out from the digital world and out in to the physical.” \nLearn more details about the event HERE
URL:https://eventsforlondon.co.uk/event/the-haunted-city-modern-monsters-and-urban-legends/
LOCATION:Conway Hall\, 25 Red Lion Square WC1R 4RL London United Kingdom\, London\, United Kingdom
CATEGORIES:Arts,Dance,Live Music,Shows
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