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DTSTART;TZID=Europe/London:20260123T200000
DTEND;TZID=Europe/London:20260123T223000
DTSTAMP:20260505T160529
CREATED:20260117T151411Z
LAST-MODIFIED:20260117T151411Z
UID:30115025-1769198400-1769207400@eventsforlondon.co.uk
SUMMARY:Uncovered – The Electric Rock Experience
DESCRIPTION:Duran Duran’s Dom Brown leads a virtuoso group\, capturing the essence and energy of amazing classic rock songs. \nImagine seeing all your favourite bands on one stage on the same night\, but playing the songs you actually want to hear\, not that experimental track from the difficult 17th album. Welcome to Uncovered – The Electric Rock Experience\, a virtuoso group featuring Duran Duran’s Dom Brown\, who\, with great passion\, captures the essence\, unique qualities and energy of what made these classic songs so amazing in the first place. \nUncovered – The Electric Rock Experience are a London based band with a stellar CV performing a variety of songs by artists such as Led Zeppelin\, Pink Floyd\, Jimi Hendrix\, Prince\, David Bowie\, The Who\, Rolling Stones\, Tina Turner\, Aretha Franklin\, AC/DC and The Beatles\, amongst others. \nWhilst staying true to the original vibe\, these incredible musicians stamp their own interpretation and style onto a select choice of Classic Rock songs.
URL:https://eventsforlondon.co.uk/event/uncovered-the-electric-rock-experience-2/
LOCATION:The Exchange Theatre Twickenham\, 75 London Rd\, Twickenham\, TW1 1BE\, United Kingdom
CATEGORIES:Concerts,Entertainment,Live Music,Music
ATTACH;FMTTYPE=image/png:https://eventsforlondon.co.uk/wp-content/uploads/2026/01/uncovered-1200x1500-1.png
ORGANIZER;CN="The Exchange Theatre Twickenham":MAILTO:exchangetwickenham@stmarys.ac.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20251207T193000
DTEND;TZID=Europe/London:20251207T213000
DTSTAMP:20260505T160529
CREATED:20250702T165734Z
LAST-MODIFIED:20250702T165734Z
UID:30096523-1765135800-1765143000@eventsforlondon.co.uk
SUMMARY:World Premiere: Requiem Mass – Judge Smith (founder member of Van der Graaf Generator)
DESCRIPTION:Beautiful\, soaring and moving. Judge Smith’s Requiem Mass combines rock opera\, symphonic\, and choral music to thrilling effect. Recorded in 2016\, this is its world premiere live performance. Exciting\, bracing and original. \nPaul Patterson’s heroic Magnificat Op 75 is set for choir\, organ\, brass octet and two percussionists. \n\nAlastair Brookshaw tenor\nRock Band\nLondon Orchestra da Camera Brass & Percussion Ensemble\nRufus Frowde organ & piano\nHertfordshire Chorus\nDavid Temple conductor
URL:https://eventsforlondon.co.uk/event/world-premiere-requiem-mass-judge-smith-founder-member-of-van-der-graaf-generator/
CATEGORIES:Events in London,Live Music
ATTACH;FMTTYPE=image/jpeg:https://eventsforlondon.co.uk/wp-content/uploads/2025/07/2025-07-Judge-Smith-1080x1920-1-e1751475448943.jpg
ORGANIZER;CN="Hertfordshire Chorus":MAILTO:hertschorusmarketing@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20251205T190000
DTEND;TZID=Europe/London:20251205T233000
DTSTAMP:20260505T160529
CREATED:20251117T042330Z
LAST-MODIFIED:20251117T042330Z
UID:30111409-1764961200-1764977400@eventsforlondon.co.uk
SUMMARY:Grapes of Wrath Presents… Punk/Hardcore/Post-Hardcore/Noise
DESCRIPTION:GRAPES OF WRATH PRESENTS:\nFriday 5th December\, 7pm\nWalthamstow Trades Hall\, 61-63\nTower Hamlets Road E17 4RQ\n \n\nGrapes of Wrath presents the best hand-picked punk acts from all over the UK\, this month we have: Ritual Error (noisy punk from London)\, Value Of Nothing (radge post hardcore from Lestah) and Louse (London d-beat/crust/hardcore). \n\n\nTickets from £10 (16+):\nVisit https://wegottickets.com/f/14468
URL:https://eventsforlondon.co.uk/event/grapes-of-wrath-presents-punk-hardcore-post-hardcore-noise/
LOCATION:Walthamstow Trades Hall\, 61-63 Tower Hamlets Rd\, London\, E17 4RQ\, United Kingdom
CATEGORIES:Arts,Cheap Tickets,Concerts,Events in London,Gigs,Live Music,Music
ATTACH;FMTTYPE=image/png:https://eventsforlondon.co.uk/wp-content/uploads/2025/11/Grapes-of-Wrath-Poster-5.12.png
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20251015T193000
DTEND;TZID=Europe/London:20251015T230000
DTSTAMP:20260505T160529
CREATED:20250923T152647Z
LAST-MODIFIED:20250923T152647Z
UID:30107793-1760556600-1760569200@eventsforlondon.co.uk
SUMMARY:LANDE HEKT
DESCRIPTION:Upset The Rhythm presents… \nLANDE HEKT\nWednesday 15 October\nThe Lexington\, 96-98 Pentonville Rd\, Angel\, London\, N1 9JB\n7.30pm | £12.50 | Tickets: https://link.dice.fm/fbcab145bcce \nLANDE HEKT’s music is born out of self-reflection\, social and political awareness\, and her capacity for evocative storytelling. Having explored this personal song-writing approach with her former band\, Muncie Girls\, with their punchy yet tender punk-flecked songs\, Lande released her debut solo record Going To Hell in 2021 via queer and trans run independent label Get Better Records. Going To Hell presents its raw honesty amongst understatedly luminous melodies and candid\, unpretentious lyrics which contemplate\, among other things\, her experience coming out as gay. Lande’s music sits beautifully alongside such essential artists as The Wedding Present\, The Sundays\, The Replacements\, Sleeper and Sharon Van Etten. \nWith her debut album barely a year old\, 2022 saw Lande armed with a whole new collection of song-form vignettes and musings on her life and experiences with her second album\, House Without a View (partnering again with Get Better Records and Prize Sunflower Records in the UK). Kicking off where the last record left off\, House Without a View continues to explore ideas of queer identity\, as well as her changing relationship with gender\, dealing with childhood trauma\, and confronting the isolation and period of adjustment brought by the pandemic. Lead single ‘Gay Space Cadets’ daydreams about a life of excitement and adventure instead of being “forced to buy into capitalism and become a pathetic\, losing player in a game that you hate.” Although there’s darkness and sadness within the record\, there’s also some shining beacons of positivity and a lighthearted side\, albeit with a side of frustration. \nLande has toured in the UK\, Europe\, Canada and Australia supporting the likes of Alvvays\, Laura Jane Grace\, The Beths\, Throwing Muses and the legend that is Tricky. She has also played at Glastonbury festival\, as well as events for The Big Issue and Corbyn’s Labour Party. \nhttps://landehekt.bandcamp.com/
URL:https://eventsforlondon.co.uk/event/lande-hekt/
LOCATION:The Lexington
CATEGORIES:Live Music,Music
ATTACH;FMTTYPE=image/jpeg:https://eventsforlondon.co.uk/wp-content/uploads/2025/09/lande.jpeg
ORGANIZER;CN="Upset The Rhythm":MAILTO:chris@upsettherhythm.co.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20250801T190000
DTEND;TZID=Europe/London:20250801T223000
DTSTAMP:20260505T160529
CREATED:20250705T031149Z
LAST-MODIFIED:20250705T031149Z
UID:30096526-1754074800-1754087400@eventsforlondon.co.uk
SUMMARY:MICHAEL BEACH + EXPIRY + CAROLINE NO
DESCRIPTION:Upset The Rhythm presents… \nMICHAEL BEACH\nEXPIRY\nCAROLINE NO\nFriday 1 August\nThe Lexington\, 96-98 Pentonville Rd\, Angel\, London\, N1 9JB\n7pm – 10.30pm | £9 | Tickets: https://link.dice.fm/uc37b4f150b4 \nMICHAEL BEACH is a Melbourne-based and Californian-born musician. On his fifth LP\, Big Black Plume\, Beach reveals the vitalizing power of connection in an often hostile world. Equally informed by the songwriting of Bill Fay and Peter Laughner\, the minimalism of Tony Conrad and Terry Riley\, and the rock and roll heart of the Goner Records roster\, Big Black Plume provides deliberate compositions adorned with genuine madness. The songs on this album range from spare\, textural ballads\, to spiraling psychedelic overtures connected to a propulsive cosmic pulse. \nThe songs here aren’t stick-and-poke songs that will dry and fade on the skin\, aimless prayers for jams; Beach has been making deliberate things for decades. Big Black Plume is a record about connections\, mercurially curated\, transforming individual contributions into something strikingly communal. For years\, Beach has been carefully fostering musical connections – for Big Black Plume is out July 25th\, 2025\, on vital independent labels Poison City (Australia) and Goner Records (US / Rest of World). Beach will support Big Black Plume with headlining tour dates and festival appearances in Australia\, the United States\, and Europe\, including Gonerfest in Memphis\, TN\, Rising in Melbourne\, Dark Mofo in Tasmania\, and Binic Folks Blues Fest in France. \nhttps://michaelbeach.org/ \nEXPIRY are a 5 piece band based in London. Centred around the songwriting of Australian expat Louis Forster (formerly of The Goon Sax) the band began as a two piece with Sonny Barrett (Adulkt Life) in 2022. From early shows that featured primitive drum beats played off phones the band has evolved slowly into a roaring five piece complete with duelling guitars\, piano and brothers. \nhttps://www.instagram.com/expiry__/ \nCAROLINE NO is a psychedelic-folk project based in London and built around the songwriting of Caroline Kennedy. Recordings of the group have been described as commanding in their nonchalance\, allowing the listener to feel like they are living within the open boundaries of the song. A “unique\, beguiling sound sits somewhere between archetypal Dunedin pop and languorous\, textural improvisation” (Students of Decay) and “no-fi\, anti-folk ditties that channel an anarchic spirit” (Chris Cobcroft 4ZZZ). Caroline No have released three albums No Language (World News / Students of Decay)\, Swimmers (King Crab) and Caroline No (Grapefruit Record Club). \nhttps://carolinenohello.bandcamp.com/album/no-language \n 
URL:https://eventsforlondon.co.uk/event/michael-beach-expiry-caroline-no/
LOCATION:The Lexington
CATEGORIES:Live Music,Music
ATTACH;FMTTYPE=image/png:https://eventsforlondon.co.uk/wp-content/uploads/2025/07/Screenshot-2025-07-03-at-14.27.08-e1751685101518.png
ORGANIZER;CN="Upset The Rhythm":MAILTO:chris@upsettherhythm.co.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20250721T193000
DTEND;TZID=Europe/London:20250721T230000
DTSTAMP:20260505T160530
CREATED:20250627T065846Z
LAST-MODIFIED:20250627T065846Z
UID:30096377-1753126200-1753138800@eventsforlondon.co.uk
SUMMARY:DAILY TOLL + GUY BLACKMAN + THE SPATULAS
DESCRIPTION:Upset The Rhythm presents… \nDAILY TOLL\nGUY BLACKMAN\nTHE SPATULAS\nMonday 21 July\nAvalon Cafe\, Juno Way\, London\, SE14 5RZ\n7.15pm | £10 | Tickets: https://link.dice.fm/h3d18b073edc \nDAILY TOLL are nestled between the sonic worlds of folk song story telling and off kilter\, angular rock. They are a Sydney-based band born from a curious seed\, the self taught project of artist Kata Szász-Komlós alongside Jasper Craig-Adams and Tom Stephens. Seemingly coming with an unmistakable charm and yearning. Mapping the band’s existence through their recorded output is to bear witness to the flux of three people learning to respond to one another and gently ossify into a collective vision. Early recordings reflect a band imagining themselves into being whilst new release\, A Profound Non-Event (Tough Love)\, observes a clear shift in conviction.\nhttps://dailytoll.bandcamp.com/ \nGUY BLACKMAN is a songwriter’s songwriter. His deftly constructed songs deal frankly with issues of love\, sexuality and commitment. If Serge Gainsbourg\, Tim Hardin or Kevin Ayers wrote songs set in gay go-go bars or on adult camming websites\, you might get close to an idea of Guy’s approach. ‘Out Of Sight’ is Guy’s first solo album in nearly 20 years (out June 13th)\, a belated follow-up to his well-loved 2008 album Adult Baby. Guy is also the co-founder of the very excellent label Chapter Music.\nhttps://guyblackman.bandcamp.com \nTHE SPATULAS share a percussive\, unshadowed presence\, a steady\, clear-voiced clop. Every note on their debut record ‘Beehive Mind’ (out now on PPM) is a little bit sad on its own but then they’re organized in a way that you don’t actually notice. The songs breathe in warmth and patience\, they are immediate and sweet. And then they start to meander. To address the weight of the world without speaking of weariness. To march the song to breathlessness but loosen your grip when the band wanders. To tell all your secrets but shield your loved ones from vulnerability. To dress up in the charm and temptation of the pop song but maintain a core of peculiarity\, of a single voice trying to navigate this world. This is the project of the Spatulas. Think of the few songwriters who know they’re the only ones in the world who could write their songs. The ones who sing in the confidence that the song couldn’t exist without them: Peter Jefferies\, Jenny Mae\, Ron House\, Heather Lewis. Jonathan Richman? Put Miranda Soileau-Pratt of The Spatulas on this list. Miranda will be performing solo at this show.\nhttps://mirandaspatula.bandcamp.com/
URL:https://eventsforlondon.co.uk/event/daily-toll-guy-blackman-the-spatulas/
LOCATION:Avalon Cafe\, Juno Way\, London\, SE14 5RZ
CATEGORIES:Live Music,Music
ATTACH;FMTTYPE=image/jpeg:https://eventsforlondon.co.uk/wp-content/uploads/2025/06/Daily-Toll-Band-Photo-e1751006414685.jpeg
ORGANIZER;CN="Upset The Rhythm":MAILTO:chris@upsettherhythm.co.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20250603T110000
DTEND;TZID=Europe/London:20251118T160000
DTSTAMP:20260505T160530
CREATED:20250402T143759Z
LAST-MODIFIED:20250402T143759Z
UID:30091316-1748948400-1763481600@eventsforlondon.co.uk
SUMMARY:Kurt Cobain Unplugged - Exhibition
DESCRIPTION:The story behind one of music’s most iconic guitars. \nVisit the Royal College of Music Museum as one of the most famous acoustic guitars in rock history — Kurt Cobain’s Martin D-18E — goes on display. \nThe exhibition explores Nirvana’s groundbreaking MTV Unplugged performance and also reunites the guitar with another piece of rock history: Cobain’s famous olive-green mohair cardigan. This marks the first time these two legendary items have been displayed together. \nThe Museum will be running a series of events alongside the exhibition.
URL:https://eventsforlondon.co.uk/event/kurt-cobain-unplugged-exhibition/
LOCATION:Royal College of Music Museum\, Prince Consort Rd\, SW7 2BS
CATEGORIES:Cheap Tickets,Events in London,Exhibitions,History,Live Music,Museums,Music,Performing Arts
ATTACH;FMTTYPE=image/jpeg:https://eventsforlondon.co.uk/wp-content/uploads/2025/03/1200-x-630-FB-Linkedin-BlueSky-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20250507T193000
DTEND;TZID=Europe/London:20250507T230000
DTSTAMP:20260505T160530
CREATED:20250411T131253Z
LAST-MODIFIED:20250411T131253Z
UID:30091427-1746646200-1746658800@eventsforlondon.co.uk
SUMMARY:NAP EYES + ELIZA NIEMI
DESCRIPTION:Upset The Rhythm presents… \nNAP EYES\nELIZA NIEMI\nWednesday 7 May\nThe Lexington\, 96-98 Pentonville Rd\, Angel\, London\, N1 9JB\n7.30pm | £13 | Tickets: https://link.dice.fm/p590cef01f9d \nNAP EYES still bring to mind the bucolic ennui of the Silver Jews and Daniel Johnston’s jittery naïveté\, but the sheen and maturity they boast lend a wide-angle appeal. Nap Eyes’ metamorphic fifth long-player collects a cache of nine fascinating songs recorded over the four years since their last album. ‘The Neon Gate’ reveals classic touchstones (the uneasy interplay of physics and philosophy\, perambulatory meditations\, self-interrogating soliloquies\, apertures of surreality\, and video games) but also evidence of divergent impulses toward nonlinear abstraction and long-form improvisational composition (resulting in their most discursive\, deconstructed\, and deliquescent songs to date) and narrative and lyric formality\, imparting the sense that Nap Eyes have transmuted\, as has their understanding of what a song is\, what it can do\, where it might go.\nhttps://napeyes.bandcamp.com/ \n  \nELIZA NIEMI is a multi-instrumentalist and songwriter currently based in Toronto. On her new album Progress Bakery (out now on Tin Angel)\, Eliza knows to leave some questions alone—to let juxtaposition and tension be the proof. She playfully slip-slides through words\, sounds\, and images\, delighting in surprise\, skimming ideas like stones cast across clear water\, touching down briefly with uncommon grace. \nhttps://elizaniemi.bandcamp.com/album/progress-bakery
URL:https://eventsforlondon.co.uk/event/nap-eyes-eliza-niemi/
LOCATION:The Lexington
CATEGORIES:Cheap Tickets,Concerts,Events in London,Live Music,Music
ATTACH;FMTTYPE=image/jpeg:https://eventsforlondon.co.uk/wp-content/uploads/2025/04/nap-eyes.jpg
ORGANIZER;CN="Upset The Rhythm":MAILTO:chris@upsettherhythm.co.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20250405T193000
DTEND;TZID=Europe/London:20250405T230000
DTSTAMP:20260505T160530
CREATED:20250307T135529Z
LAST-MODIFIED:20250307T135529Z
UID:30090413-1743881400-1743894000@eventsforlondon.co.uk
SUMMARY:EVIL SWORD + SHAKE CHAIN + SPLIT APEX
DESCRIPTION:Upset The Rhythm presents… \nEVIL SWORD\nSHAKE CHAIN\nSPLIT APEX\nSaturday 5 April\nNew River Studios\, 199 Eade Rd\, Harringay\, London\, N4 1DN\n7.30pm | £8 | Tickets: https://link.dice.fm/B1970de44fb0 \nEVIL SWORD are Kate Ferencz and Ben Furgal from Philadelphia\, USA. Their chaotic live shows combine elements of noise\, cryptic metal overtones\, performance art\, and gallows humor and feature macabre props\, flashing lights\, stage sets and costumes. There are hardly any instruments in this group\, but they make such a racket you’d never know it. The bass and the percussion sound like they’re having a great time\, telling each other jokes. Then the words come in and it all locks together in these strange\, hypnotic rhythms. I just listen to the stories and laugh and cry and get scared and wonder what they were ever thinking.\nRecent album ‘Basket Fever’ (Magic Pictures\, 2023) features electrocuted bells\, backwards parts\, rusty horns; I’m pretty sure I even heard a clarinet in there somewhere. There’s this one part where it all seems to come back around\, where they took some gang vocals from the very first demo they ever recorded and slowed it way down. When they first started; I thought they were some goofy kids making music about the end of the world\, back when that seemed a little further away\, like it was going to be fun. They were all laughing and making these funny ghost sounds\, but now everyone’s older and the ghosts are real\, a great whoosh of bygone spirits and cold air. It’s bone chilling. There’s plenty to be upset about\, but it’s not really an Evil Sword song until that grimace has been twisted up into a smile. \nhttps://evilsword.bandcamp.com/album/basket-fever \nSHAKE CHAIN have been busy demolishing audiences and expectations for the best part of the last five years. Vocalist Kate Mahony sets that standard by anything from crawling through the audience’s legs in a bright yellow raincoat to crying and washing her hands in a nearby toilet\, as the rest of the band start the set. The four-piece from London are completed by Robert Eyres (Synth/Guitar)\, Chris Hopkins (Bass/Synth/Samples) and Joe Fergey (Drums). Shake Chain are built of nervy bass lines\, twitchy guitars that jolt and jerk and tack sharp drums\, overridden by screeching vocal slurs and sampled television. Kate’s singing is a unique embrace of flights of atonal fancy\, head-first repetition and ecstatic frenzy. Opinion-dividing arguably\, but singular in making Shake Chain dauntingly brilliant. The band’s debut album ’Snake Chain’ was released by Upset The Rhythm. \nhttps://upsettherhythm.bandcamp.com/album/snake-chain \nSPLIT APEX are Jussi Palmusaari (guitar\, electronics and percussion) and Peter Blundell (voice and bass). On their self-titled cassette (out now) release they combine restless sonic textures\, oddball phrasing within barely-contained song structures held together by moth-woven threads. Seemingly governed by an unknowable gravitational pull that tugs hither and yon\, the duo lays out their statement of intent through a brief suite of intimate nocturnes. The release marks the first work for Palmusaari since leaving his native Finland where he played with the band\, Preesens\, in the late-90s/early-00s. For Blundell\, this new project exists adjacent to his current work with Dominic Goodman as Komare and previous endeavours in the band\, Mosquitoes. \nhttps://tinyurl.com/n8cf2jhf \n 
URL:https://eventsforlondon.co.uk/event/evil-sword-shake-chain-split-apex/
LOCATION:new river studios\, 199 Eade Road\, London\, N4 1DN
CATEGORIES:Concerts,Events in London,Live Music,Music
ATTACH;FMTTYPE=image/jpeg:https://eventsforlondon.co.uk/wp-content/uploads/2025/03/evil-sword.jpg
ORGANIZER;CN="Upset The Rhythm":MAILTO:chris@upsettherhythm.co.uk
GEO:51.574917;-0.0881992
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=new river studios 199 Eade Road London N4 1DN;X-APPLE-RADIUS=500;X-TITLE=199 Eade Road:geo:-0.0881992,51.574917
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20250327T193000
DTEND;TZID=Europe/London:20250327T230000
DTSTAMP:20260505T160530
CREATED:20250301T054220Z
LAST-MODIFIED:20250301T054220Z
UID:30089837-1743103800-1743116400@eventsforlondon.co.uk
SUMMARY:Six Organs of Admittance + Bill Mackay - Concert
DESCRIPTION:Upset The Rhythm presents… a Drag City showcase with: \nSIX ORGANS OF ADMITTANCE\nBILL MACKAY\nThursday 27 March\nMetronome London\, 41 Commercial Road\, London\, E1 1LA\n7.30pm | £18 | Tickets: https://link.dice.fm/Gb5ecad0f987 \nSIX ORGANS OF ADMITTANCE have built a prolific and diverse body of work over the last 20+ years. Ben Chasny’s project is an experimental amalgam of new folk\, drone music\, percussion and strange textures\, with Chasny delivering an outpouring of eclectic releases in the early 2000s for various small labels before finding a longstanding home on Drag City. In 2003\, Chasny began an association with Comets on Fire\, which led to him becoming a full-time touring and recording band member. After recording and touring extensively with Comets on Fire in 2004\, Chasny returned to the studio and issued the moving and beautiful School of the Flower on Drag City in January 2005. Sun Awakens and Shelter from the Ash arrived in 2006 and 2007. After touring and a break in 2008\, Six Organs began what would become a prolific return to force\, releasing 18 astonishing records up to the current time. First was the release of the sonically expansive – and very electric – Luminous Night\, followed by the double-disc retrospective RTZ\, both of which appeared on Drag City. Chasny also plays in 200 Years alongside Elisa Ambrogio (of Magik Markers)\, with Donovan Quinn (Skygreen Leopards) in the project New Bums\, and is also a member of tightly-wound improv unit Rangda\, accompanied by Sir Richard Bishop and Chris Corsano. \nChasny more recently developed a card-based creative system called Hexadic for making music. He released several related albums before resuming his primary project with new work like 2021’s The Veiled Sea and the 2024 Shackleton collaboration Jinxed by Being. This year\, Six Organs also released a solo album\, Time Is Glass\, consisting of haunted\, unsettled rural folk sounds. With Time is Glass\, Six Organs of Admittance is captured once again in the intricate tangle of the fretboards\, soaring in open skies above. Like lens flare cutting through the speakers\, spiderwebs cracking the windshield that holds back all the onrushing reality. Blowing the dust away\, cutting a new path for cognition.\nhttps://sixorgansofadmittance.bandcamp.com/ \nBILL MACKAY is a Chicago guitarist\, improviser\, composer\, and singer. An accomplished collaborator with projects that include Katinka Kleijn (Stir\, 2019)\, Nathan Bowles (Keys\, 2021)\, and Ryley Walker (SpiderBeetleBee\, 2017)\, MacKay is also a solo artist creating multi-dimensional works such as Esker (2017)\, Fountain Fire (2019) Scarf (2020)\, and Locust Land (2024)\, all released on Drag City Records. Bill’s music is a visceral crackling where it meets the air\, and Locust Land can’t help but reflect its era more than any other in his discography. A restless energy and urgency are repeatedly felt — in the driving momentum of “Keeping in Time\,” “Glow Drift\,” and “When I Was Here” — while a dogged persistence radiates from the tone colours and percussion of “Oh\, Pearl.” The sense of searching\, displacement and longing in vocal tracks “Keeping in Time\,” “Half of You\,” and “When I Was Here” speak literally to the tumult of current vibrations. Within the arrangements\, there’s also a departure from previous norms — in addition to the brilliant guitar work for which he is known\, Bill plays a variety of keyboards\, from piano to organ to synth\, extending his music with the available voicings\, while enriching the sound field without abandoning his signature brevity. For fans of his singing\, following in the recent tradition of Fountain Fire and his collaboration with Nathan Bowles\, Keys\, Locust Land expresses an increased vocal presence — and heightened engagement\, with Bill’s words and melodies drawing us closer.\nhttps://billmackay.com/
URL:https://eventsforlondon.co.uk/event/six-organs-of-admittance-bill-mackay-concert/
LOCATION:Metronome London\, 41 Commercial Road\, London\, E1 1LA
CATEGORIES:Cheap Tickets,Concerts,Events in London,Gigs,Live Music,Music
ATTACH;FMTTYPE=image/jpeg:https://eventsforlondon.co.uk/wp-content/uploads/2025/02/0035159536_10.jpg
ORGANIZER;CN="Upset The Rhythm":MAILTO:chris@upsettherhythm.co.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20241208T193000
DTEND;TZID=Europe/London:20241208T230000
DTSTAMP:20260505T160530
CREATED:20241106T085243Z
LAST-MODIFIED:20241106T085243Z
UID:30085507-1733686200-1733698800@eventsforlondon.co.uk
SUMMARY:NIGHTSHIFT + MARY CURRIE & ROBERT SOTELO + ANNELIES MONSERÉ
DESCRIPTION:Upset The Rhythm presents… \nNIGHTSHIFT\nMARY CURRIE & ROBERT SOTELO\nANNELIES MONSERÉ\nSunday 8 December\nThe Lexington\, 96-98 Pentonville Rd\, Angel\, London\, N1 9JB\n7.30pm | £10 | Tickets: https://link.dice.fm/pcd6fe8e5f9b \nNIGHTSHIFT are a Glasgow music collective whose new album ‘Homosapien’ just came out on Chicago’s Trouble In Mind Records. Notably\, the band has lost some members\, gained a new member & shuffled some roles; former drummer Chris White (Spinning Coin) is now on guitar. His distinctive playing delivers a countrified energy that is central to the album\, leading the song structures into more succinct and colorful places\, matching the upbeat and playful nature the band has always drawn strength from\, only more so now under his stylish approach. Primary vocalist & keyboardist Eothen Stearn’s lyrical gifts illuminate the group’s output with an optimistic urgency that is unmatched. On ‘Homosapien’ she wears her heart on her sleeve\, but even in the song’s darkest moments\, the words create a sense of hope and potential.\nhttps://nightshiftgroup.bandcamp.com \nMARY CURRIE & ROBERT SOTELO have a forthcoming 7” EP coming out on Upset The Rhythm this October entitled ‘Dream Songs’. Introduced via a mutual friend\, Robert Sotelo approached Mary Currie (Flaming Tunes/Officer!) about collaborating on four songs he was constructing with Glasgow based producer/sound guru Joe Howe. Performing live with a set-up that will reconfigure these four compositions into a minimalist bass\, drum machine and keys dynamic the duo (and band) will also look at recreating some cuts from the Flaming Tunes era also\, focusing quite heavily on a anything could happen approach.\nhttps://robertsotelo.bandcamp.com/ \nANNELIES MONSERÉ has been playing music solo since 2000. Initially the music was piano-based and mostly instrumental. Once she ‘discovered’ her voice\, vocals became a main focus. The early songs had very simple structures and melodies\, and the words were sparse and introvert. Her debut album ‘Helder’ (released by BlueSanct) was described as “a delicate album\, complete with beautiful cracks and loads of tape-hiss.” Recorded at home in Gent between 2016 and 2023\, Annelies new album ‘I Sigh\, I Resign’ (Horn of Plenty) retains the intimacy of previous LP ‘Mares’ with it’s close-mic’d keyboards and vocals that capture every breath. Folk and early music are at the core of her sound but the palette of piano\, organ\, bass guitar\, cello\, synth and drum machine make it very much a document of the here and now.\nhttps://anneliesmonsere.bandcamp.com/
URL:https://eventsforlondon.co.uk/event/nightshift-mary-currie-robert-sotelo-annelies-monsere/
LOCATION:The Lexington
CATEGORIES:Events in London,Live Music,Music
ATTACH;FMTTYPE=image/jpeg:https://eventsforlondon.co.uk/wp-content/uploads/2024/11/nightshift-e1730883156606.jpeg
ORGANIZER;CN="Upset The Rhythm":MAILTO:chris@upsettherhythm.co.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20241205T193000
DTEND;TZID=Europe/London:20241205T230000
DTSTAMP:20260505T160530
CREATED:20241105T082403Z
LAST-MODIFIED:20241105T082403Z
UID:30085500-1733427000-1733439600@eventsforlondon.co.uk
SUMMARY:THE SMASHING TIMES + SPECIAL GUESTS (TBA)
DESCRIPTION:Upset The Rhythm presents… \nTHE SMASHING TIMES\nSPECIAL GUESTS (TBA)\nThursday 5 December\nMOTH Club\, Old Trades Hall\, Valette St\, London\, E9 6NU\n7.30pm | £10 | Tickets: https://link.dice.fm/va3aba677211 \nTHE SMASHING TIMES are a psychedelic twee freakbeat group from a Baltimore basement. Instruments played by humans\, bare feet touching the ground. Wrinkled button-downs\, sweaters filled with holes\, music audibly and sometimes visibly made by humans. Can you change the strings on your guitar? Maybe\, can you buy me dinner? Lock up your Rickenbackers; Thee Jasmine Monk is coming to town; can they stay on your couch? The recent album ‘Bloom’ was released by Meritorio Records\, featuring fractious\, chiming riffs and Dan Treacy meets Stephen Pastel style vocals and an impressive collection of genuinely memorable tracks. The Smashing Times’ new album ‘Mrs Ladyships and the Cleanerhouse Boys’ will be coming out on K Records in November. \nThe Smashing Times are your new favourite MOD heartthrobs. Is there a new Merseybeat Revolution? How many times can you watch The Blow-Up alone in your room? Why don’t you venture out the front door and take a bite of the real thing? The Smashing Times are a mainstay in the indie pop underground. The group mistrals the new modern life perfectly\, the sharper world. \nhttps://thesmashingtimes.bandcamp.com \n 
URL:https://eventsforlondon.co.uk/event/the-smashing-times-special-guests-tba/
LOCATION:MOTH Club\, Valette Street\, Hackney\,\, London\, E96\, United Kingdom
CATEGORIES:Events in London,Live Music,Music
ATTACH;FMTTYPE=image/jpeg:https://eventsforlondon.co.uk/wp-content/uploads/2024/11/1000009686-e1730794996274.jpg
ORGANIZER;CN="Upset The Rhythm":MAILTO:chris@upsettherhythm.co.uk
GEO:51.5455581;-0.0546645
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=MOTH Club Valette Street Hackney London E96 United Kingdom;X-APPLE-RADIUS=500;X-TITLE=Valette Street\, Hackney\,:geo:-0.0546645,51.5455581
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20241130T200000
DTEND;TZID=Europe/London:20241130T220000
DTSTAMP:20260505T160530
CREATED:20240820T163516Z
LAST-MODIFIED:20240821T051950Z
UID:30076060-1732996800-1733004000@eventsforlondon.co.uk
SUMMARY:Carnaby Army – 60s British Invasion!
DESCRIPTION:A two-hour set spanning Mod\, Rock\, Rhythm & Blues and Soul.\n\n\n\n\nCarnaby Army’s electrifying live show\, The British Invasion and Beyond\, celebrates the very best of 60s music with a two-hour set spanning Mod\, Rock\, Rhythm & Blues\, and Soul. \nFeaturing era-defining hits from the biggest bands of the decade\, including The Beatles\, Rolling Stones\, Small Faces\, and The Kinks\, this stellar\, six-piece band presents an evening of unadulterated entertainment that has been wowing audiences across the country. \n 
URL:https://eventsforlondon.co.uk/event/carnaby-army-60s-british-invasion-2/
LOCATION:The Exchange Theatre Twickenham\, 75 London Rd\, Twickenham\, TW1 1BE\, United Kingdom
CATEGORIES:Arts,Cheap Tickets,Concerts,Entertainment,Events in London,Family Activities,London Musicals,London Theatre
ATTACH;FMTTYPE=image/png:https://eventsforlondon.co.uk/wp-content/uploads/2024/08/Carnaby-Army-2.png
ORGANIZER;CN="The Exchange Theatre Twickenham":MAILTO:exchangetwickenham@stmarys.ac.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20241119T193000
DTEND;TZID=Europe/London:20241119T230000
DTSTAMP:20260505T160530
CREATED:20241024T162505Z
LAST-MODIFIED:20241024T162505Z
UID:30084662-1732044600-1732057200@eventsforlondon.co.uk
SUMMARY:CHRIS COHEN + LARGE PLANTS - Concert
DESCRIPTION:Upset The Rhythm presents… \nCHRIS COHEN\nLARGE PLANTS\nTuesday 19 November\n100 Club\, 100 Oxford St\, Oxford Street\, W1D 1LL\n7.30pm | £14 | Tickets: https://link.dice.fm/ob8ce6dd7dbc \nCHRIS COHEN was always a quiet kid. This introversion was one reason he began playing music as a toddler—to communicate without speaking to identify with others without directly representing words. It has worked\, too\, with Cohen’s terrific stint in the mighty Deerhoof and his captivating art-rock act The Curtains\, preceding production and session work for the likes of Weyes Blood\, Kurt Vile\, Le Ren\, and Marina Allen. Somewhere along that long way\, Cohen started writing lyrics. He found that\, though it didn’t come naturally\, the process offered a new sense of self-discovery and reckoning\, a way to see himself and the world from unexpected angles. His three twilit albums of casually complicated pop during the last decade radiated these epiphanies: handling family strife\, navigating advancing age\, and understanding social woes. \nBut Cohen has never had as much to sing so directly as he does on ‘Paint a Room’\, his first album in five years and his debut for Hardly Art. Suppose Cohen’s meanings have previously lurked inside the tessellated musical layers he built alone. In that case\, they are newly clear and resonant here\, animated and underscored for the first time by a band playing in real-time. There is the endless miasma of state violence on the subversively melodious opener “Damage\,” the existential exhaustion of modernity on the horn-traced jangle “Laughing”. With ‘Paint a Room’\, Cohen’s music feels like a warm spring breeze\, easy to love and gentle to feel. But it often carries something heavy\, as if it is blowing in from some unseen storm cloud. \nhttps://chriscohen.bandcamp.com \nLARGE PLANTS is the hauntological fuzz-rock project of Jack Sharp\, former singer-guitarist from psych-folk luminaries Wolf People. In 2022 the band dropped an acid-rock cover of Madonna’s ‘La Isla Bonita’ on the Ghost Box label\, followed swiftly by their debut LP ‘The Carrier’\, described by Shindig as “A succinct distillation of folk-rock magnificence”. Now a formidable live act\, having toured with Mudhoney and Unknown Mortal Orchestra. Large Plants are currently working on their third album.\nhttps://largeplantsband.bandcamp.com/album/the-death-of-pliny-digital-single \n 
URL:https://eventsforlondon.co.uk/event/chris-cohen-large-plants-concert/
LOCATION:The 100 Club\, 100 Oxford St\, Oxford Street\, W1D 1LL\, London\, W1D 1LL
CATEGORIES:Arts,Cheap Tickets,Concerts,Entertainment,Events in London,Gigs,Live Music,Music
ATTACH;FMTTYPE=image/jpeg:https://eventsforlondon.co.uk/wp-content/uploads/2024/10/Chris-Cohen-Promo-Picture-LOW-RES-e1729787038362.jpg
ORGANIZER;CN="Upset The Rhythm":MAILTO:chris@upsettherhythm.co.uk
GEO:51.516215;-0.1353332
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The 100 Club 100 Oxford St Oxford Street W1D 1LL London W1D 1LL;X-APPLE-RADIUS=500;X-TITLE=100 Oxford St\, Oxford Street\, W1D 1LL:geo:-0.1353332,51.516215
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20241105T190000
DTEND;TZID=Europe/London:20241105T230000
DTSTAMP:20260505T160530
CREATED:20241008T084754Z
LAST-MODIFIED:20241008T084754Z
UID:30083420-1730833200-1730847600@eventsforlondon.co.uk
SUMMARY:Shannon and the Clams + Mock Media + Pozi - Live Bands
DESCRIPTION:-Upset The Rhythm presents… \nSHANNON AND THE CLAMS\nMOCK MEDIA\nPOZI\nTuesday 5 November\nIslington Assembly Hall\, Upper St\, London\, N1 2UD\n7pm | £20 | Tickets: https://link.dice.fm/i36cc53102af \nSHANNON AND THE CLAMS are from Oakland\, California and comprise of Shannon Shaw (vocals\, bass)\, Cody Blanchard (vocals\, guitar)\, and Ian Amberson (drums\, vocals). Sounding like a prom band from 1964 getting dosed with acid and having the sweetest lovelorn freakout\, Shannon And The Clams defy expectations. Imagine a brawling Etta James\, backed up by the 13th Floor Elevators\, singing Shangri La’s tunes. Shannon has a voice that can go from a sweet girl group croon to a bluesy\, ballsy growl before you realize you’re headed for the (dance) floor. It’s total punk rock bop\, brimming with doo-wop glory delivered to your door by the Homecoming Queen and Kings of weirdo rock ‘n’ roll. \nShannon & The Clams’ sonics go from black and white to technicolour on their new album\, The Moon Is In the Wrong Place\, produced by longtime collaborator Dan Auerbach of The Black Keys. Faced with the unimaginable sudden loss of Shannon’s fiancé\, the project is a holistic exploration of grief and celebration of life coupled with the most expansive\, exciting songs and arrangements of their celebrated catalogue. The Moon Is In the Wrong Place marks Shannon & The Clams’ 7th studio album together and is now via Easy Eye Sound. \nhttp://shannonandtheclams.com/ \nMOCK MEDIA\, Canada’s new supergroup\, contains members Evan Aasen (Painted Fruits)\, Garnet Aronyk Muhammad (Crack Cloud)\, Austin Boylan (Pottery)\, and Bennett Smith (N0V3L). Mock Media originated in Vernon\, British Columbia\, a small farming town surrounded by a blue lake and majestic mountain ranges. Such wholesome beginnings naturally sparked a heady wanderlust and DIY spirit within its founding members.\nMock Media’s debut LP Mock Media II\, out Nov 17th\, captures this firebrand four-piece’s head-on plunge into enthralling existential contradictions: songs that explore the darkest corners of humanity yet come out at the other end with the unwavering joy that marked their genesis. It’s an album of sneak eclecticism; the high-wired punk rock stylings serve as Mock Media’s framework to clad their agog explorations into pop\, electronic\, and world folk music.\nhttps://mockmedia.bandcamp.com/album/mock-media \nPOZI is a band that tackles the creative cycle of deconstruction and rebuilding with relish. The second album ‘Smiling Pools’ is a testament to that. An LP that sees them at their most expansive yet\, it follows a gradual swelling of their sound across two EPs preceding the urgent\, self-enforced minimalism of their debut album\, PZ1\, in 2019. The trio of Toby Burroughs\, Rosa Brook\, and Tom Jones quickly established something of a foundational template on that first album: a hyper-skeletal sound palette of drums\, bass and three distinct vocals disrupted by Rosa’s churning violins\, from which emerged biting social observations and political angst. These hallmarks haven’t fully gone away over time\, but from that urgent energy\, greater confidence\, and a playful desire to push further out of the loose genre tag of post-punk have emerged. \nhttps://poziband.bandcamp.com
URL:https://eventsforlondon.co.uk/event/shannon-and-the-clams-mock-media-pozi-live-bands/
LOCATION:Islington Assembly Hall\, Upper Street\, London\, N1 2UD\, United Kingdom
CATEGORIES:Arts,Cheap Tickets,Concerts,Gigs,Live Music,Music
ATTACH;FMTTYPE=image/jpeg:https://eventsforlondon.co.uk/wp-content/uploads/2024/10/satc-e1728377166217.jpg
ORGANIZER;CN="Upset The Rhythm":MAILTO:chris@upsettherhythm.co.uk
GEO:51.5416051;-0.1028872
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Islington Assembly Hall Upper Street London N1 2UD United Kingdom;X-APPLE-RADIUS=500;X-TITLE=Upper Street:geo:-0.1028872,51.5416051
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20241030T193000
DTEND;TZID=Europe/London:20241030T230000
DTSTAMP:20260505T160530
CREATED:20241001T043206Z
LAST-MODIFIED:20241001T043206Z
UID:30081495-1730316600-1730329200@eventsforlondon.co.uk
SUMMARY:TYVEK + GEO + VIRVON VARVON
DESCRIPTION:Upset The Rhythm presents… \nTYVEK\nGEO\nVIRVON VARVON\nWednesday 30 October\nNew River Studios\, 199 Eade Rd\, Harringay\, London\, N4 1DN\n7.30pm | £12 | Tickets: https://link.dice.fm/G309daf25a4e \nTYVEK has remained a singular force. The Detroit group formed somewhere in the mid-aughts by songwriter\, vocalist\, guitarist\, and sole consistent band member Kevin Boyer\, who enlisted various friends to cultivate a raw\, rudimentary punk sound that manages to get back to basics while at the same time presenting abstract perspectives and weird concepts not normally explored by your everyday garage band. There have been mutations over the years as the band toured regularly and released a run of solid albums with labels like Siltbreeze and In The Red\, but with every reformation\, Tyvek still didn’t sound quite like anyone else. Their new album\, the self-released Overground (Ginkgo\, 2023)\, stays true to their reputation for delivering hit after hit of blistering punk and remains tightly wound until it unspools into the dreamlike title track\, an extended post-Velvets plea for human decency. Tyvek’s current line-up of all-stars guarantees an intense live show: Shelley Salant (Shells\, XV)\, Alex Glendening (Deadbeat Beat)\, Fred Thomas (Idle Ray)\, and Emily Roll (XV) channel the high-energy rock’n’roll of Detroit’s past while side-stepping the cliches to push forward into an uncharted future.\nhttps://tyvek.bandcamp.com/ \nGEO are a no wave oddity from The Netherlands\, the more mismatched the moving parts appear\, the more their music starts to make sense. Since the Groningen quartet’s inception in 2019\, they have built a framework of skeletal agit-funk\, cartoonish chromatics and neoteric art punk vignettes – sketching negative spaces where chaos and cacophony can sound perplexingly catchy. ‘Out of Body’ – Geo’s long-awaited debut album was released on Erste Theke Tontraeger in April. Geo’s jitterbug\, birdbrained post-punk spiels are in the spirit of gung-ho deconstructionists like The Contortionists\, The Fall and Gang of Four. On ‘Out of Body’\, they play emotions out against each other like some kind of absurdist Punch and Judy show.\nhttps://geoband.bandcamp.com/ \nVIRVON VARVON are part-time punks from London\, featuring Black Time\, Midnight Mines and The Jazz June members. They’ve played Gonerfest in Memphis and Get Lost Festival in Hamburg and released an LP and two tapes on Girlsville Records.\nhttps://girlsville.bandcamp.com/album/virvon-varvon-four-bars-of-hate-2
URL:https://eventsforlondon.co.uk/event/tyvek-geo-virvon-varvon/
LOCATION:new river studios\, 199 Eade Road\, London\, N4 1DN
CATEGORIES:Cheap Tickets,Concerts,Events in London,Gigs,Live Music,Music
ATTACH;FMTTYPE=image/jpeg:https://eventsforlondon.co.uk/wp-content/uploads/2024/09/tyvek-e1727757080796.jpg
ORGANIZER;CN="Upset The Rhythm":MAILTO:chris@upsettherhythm.co.uk
GEO:51.574917;-0.0881992
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=new river studios 199 Eade Road London N4 1DN;X-APPLE-RADIUS=500;X-TITLE=199 Eade Road:geo:-0.0881992,51.574917
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20241001T193000
DTEND;TZID=Europe/London:20241001T230000
DTSTAMP:20260505T160530
CREATED:20240902T103059Z
LAST-MODIFIED:20240902T103059Z
UID:30077082-1727811000-1727823600@eventsforlondon.co.uk
SUMMARY:PARSNIP + GRAZIA + SASSYHIYA
DESCRIPTION:Upset The Rhythm presents… \nPARSNIP\nGRAZIA\nSASSYHIYA\nTuesday 1 October\nMOTH Club\, Old Trades Hall\, Valette St\, London\, E9 6NU\n7.30pm | £11 | Tickets: https://link.dice.fm/Rc2d78d6f59c \nPARSNIP are a fantastic Australian group. Their sophomore album ‘Behold’ (out now on Upset The Rhythm)\, is a testament to Parsnip at their most creative\, catchy and collaborative. ‘Behold’ showcases the multi-talents of all four members\, with spirited performances adding sparkle to the thirteen tracks. Paris Richens lets the bass playfully roam. Carolyn Hawkins tumbles\, feeling into the drum rumble. Stella Rennex’s guitar soars alongside her saxophone work whilst Rebecca Liston tenderly attends to an animated keyboard. Everyone sings amidst this lush canopy. \nOn ‘Behold’\, Parsnip explores consciousness’s inner and outer realms with quick wits and some seriously quality jangle and jolt. ‘The Light’ is a whip-smart workout\, sprouting naturally from the propulsive nature of their debut album ‘When the Tree Bears Fruit’ (Trouble In Mind\, 2019). Drawing comparisons with Dolly Mixture\, Sara Goes Pop and Look Blue Go Purple\, Parsnip is an animated ensemble full of life\, emotional complexity and humour. The laughter in the dark is real\, but then the sun rises\, and we must meet the day. Even the flowers turn their faces. Behold!\nhttps://parsniphq.bandcamp.com/album/behold\nGRAZIA just released their debut EP\, “In Poor Taste\,” (Feel It Records)\, written and recorded by Heather Dunlop and Lindsay Corstorphine. Often referential\, In Poor Taste pulls inspiration from the high and low brow\, but mostly the low. Grazia pays homage to everything from The Fall to cheap lingerie brands in a campy pastiche of 80s new wave and pop. In Poor Taste is about having fun while delving into your worst\, core self.\nhttps://grazia.bandcamp.com \nSASSYHIYA are Katherine Wright and Helen Skinner of cult South London queer band Barry. Now\, with added Neil and Pablo. Check out their new 7” on Skep Wax\, a celebratory ode to Kristen Stewart.\nhttps://sassyhiya.bandcamp.com
URL:https://eventsforlondon.co.uk/event/parsnip-grazia-sassyhiya/
LOCATION:MOTH Club\, Valette Street\, Hackney\,\, London\, E96\, United Kingdom
CATEGORIES:Cheap Tickets,Concerts,Events in London,Live Music,London Musicals,London Theatre,Music
ATTACH;FMTTYPE=image/jpeg:https://eventsforlondon.co.uk/wp-content/uploads/2024/09/parsnip-e1725272979101.jpg
ORGANIZER;CN="Upset The Rhythm":MAILTO:chris@upsettherhythm.co.uk
GEO:51.5455581;-0.0546645
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=MOTH Club Valette Street Hackney London E96 United Kingdom;X-APPLE-RADIUS=500;X-TITLE=Valette Street\, Hackney\,:geo:-0.0546645,51.5455581
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END:VCALENDAR